Sankranthi Movie Titles, Not Even Related To Content?

Gone are the days when the content of the movie gets properly reflected in the title of the movie. For some years, the Telugu Industry started using the hero’s name in the film as a title, and then they started using the character traits to name it as a movie title. And now, these titles are nowhere looking connected to the main content of the movie, except for a scene or a shot.

Among the recent Sankranthi releases, None of the titles like Mana Shankara Vara Prasad Garu or Nari Nari Naduma Murari has a real connection to the titles of the movie. In Chiru’s film, only the minister calls him once like that, but otherwise, there is nothing in connection to that title, and no minister will ever call his Security Chief in that manner.

When it comes to Nari Nari Naduma Murari, unlike senior actor Balakrishna’s old film, where the hero deals with two heroines at once, here the core content doesn’t go that way. By the time the second heroine (Sakshi Vaidya) enters, the first heroine (Samyuktha) is already married to someone else. Except for the two heroines appearing together in the hero’s imagination in a breakup song, there’s no such conflict.

Many are wondering why Tollywood’s filmmakers and producers are trying to create only sensation and viral appeal for the title, but missing out the credibility part.