Prerna Arora Hits Back at Jaya Bachchan's 'Toilet' Critique
Prerna Arora, a film producer, has voiced her discontent and frustration over remarks made by MP Jaya Bachchan regarding the movie 'Toilet: Ek Prem Katha,';

Prerna Arora, a film producer, has voiced her discontent and frustration over remarks made by MP Jaya Bachchan regarding the movie 'Toilet: Ek Prem Katha,' which features Akshay Kumar in a leading role. Bachchan's critique, where she labeled the film a flop, has sparked a significant response from Arora. In defense of the movie, Arora highlighted that Bachchan's assessment overlooked the film's financial success, pointing out its substantial box office earnings. "I am a huge fan of Jaya ji. I consider her a phenomenal actress. I would watch 'Upahaar,' 'Abhimaan,' and 'Mili' a hundred times over. But I was really hurt hearing what she said about our film. She called it a flop. She should have checked its box office collections even once. It was one of the biggest hits of 2017. We made huge profits," Arora expressed, showcasing her admiration for Bachchan yet expressing her hurt over the comments.
The film 'Toilet: Ek Prem Katha' was not just a commercial success but also aimed to tackle the pressing issue of sanitation in India's rural areas. Directed by Shree Narayan Singh and co-starring Bhumi Pednekar alongside Akshay Kumar, the movie was produced on a budget of ₹70 crore and remarkably grossed ₹300 crore worldwide. This financial achievement underscores the film's wide acceptance and the impact it managed to create among audiences.
Furthermore, Arora emphasized the thoughtful process behind the selection of the film's title, 'Toilet: Ek Prem Katha,' indicating that it was chosen to align closely with the movie's storyline and its social message. This detail highlights the production team's intent to address significant social issues through cinema while engaging the audience with compelling storytelling.
In a stark contrast to the film's achievements and the producer's intentions, Bachchan's criticism focused primarily on the movie's title. During a talk show appearance, she expressed her reluctance to watch the movie, stating, "I do follow certain limitations when it comes to watching movies. I haven't seen ‘Toilet: Ek Prem Katha' because the name itself doesn't appeal to me. Take a look at the title, I never thought I would watch a film with such a name. What is this title even? Is that even a title?" This critique not only reflects her personal viewing preferences but also raises questions about the factors influencing movie selection among audiences.
The controversy around Bachchan's comments and Arora's subsequent response sheds light on the diverse perspectives within the film industry regarding what constitutes a successful or meaningful cinematic work. It also underscores the importance of looking beyond superficial elements like a film's title to appreciate its underlying message and societal contributions.
In concluding, the disagreement between Jaya Bachchan and Prerna Arora over 'Toilet: Ek Prem Katha' encapsulates the complex interplay between artistic expression, commercial success, and social commentary in cinema. While Bachchan's remarks have prompted a defensive stance from the film's producer, the discussion ultimately highlights the broader debate on evaluating films beyond their financial performance to include their impact and relevance in addressing critical social issues.